![]() I Hear A Symphony would be something of a departure for The Supremes rather than surrounding the hits with strong filler also written by H-D-H (as had been done on More Hits By The Supremes), just five Motown originals were included. Follow-up single “My World Is Empty Without You” hit shelves in late December - and an accompanying album was quickly assembled and released in February of 1966. The song was a smash, topping the Billboard Hot 100 for two weeks in mid-November. That song turned out to be “I Hear A Symphony,” recorded in September of 1965 and released early the next month. Going back to the drawing board meant coming up with a new song that retained the unique pop sensibilities of the previous hits while updating the sound to keep The Supremes relevant to young audiences. “We just went back to the drawing board,” says Lamont Dozier in the booklet to the 2000 box set The Supremes. After five straight number one hits, the 1965 H-D-H single “Nothing But Heartaches” stalled at #11 on the Billboard Hot 100, a respectable chart peak but a relative failure for the superstar singing group and its writing-producing team. As the hits piled up, a new kind of pressure developed: Keeping them there. Finally, things clicked in 1964, and the songwriting team of Holland-Dozier-Holland delivered the now-classic “Where Did Our Love Go,” which took Diana Ross, Mary Wilson, and Florence Ballard straight to the top. The Motown girl-group struggled for years, releasing a batch of failed singles produced by Motown founder Berry Gordy, Jr. ![]() In the beginning, there was tremendous pressure to get The Supremes a hit. “Together just you and me, just livin’ on pure ecstasy…”
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